Melody In Carnatic Music -Part 2 Comment On This Article Below. Return to the article SS comments : It would be a big help if the article contained links to the previous articles esp. in a multi-part series like this one. Thanks. Sathyabhama Sridhar comments : hi,Kirana, this is Sathyabhama,Riyadh. how r u doing?where r u now.. Ramu T comments : Excellent. Simple to understand but at the same time informative. Please keep it up. Ram Seshan comments : This is the best explanation I have seen. Thanks a lot for helping understand the math behind the 72 Melakartas Asshole comments : fuck you Sajan CR comments : Madam, This is excellent ! No, I don't have words for this simple explanation ! I've got a doubt Madam. You've told if two RI'S comes in a Raga we've to use one of them as GA and so on. I believe this is to avoid the repetition of two RI's(so on) while we sing in a particular Raga,so that this sounds good. Is it so ? Can u clarify this.Please do reply.. Yours Truly Sajan CR Venkatachalam comments : In the books they only put s r1 r2 g1 g2 m1 m2 p d1 d2 n1 n2 S and in the Internet the put s r1 r2 r3 g1 g2 g3 m1 m2 p d1 d2 d3 n1 n2 n3 if that is the case pls correlate. I think g2 is g1 and g3 is g2 and n2 is n1 and n3 is n2 am i correct let me send details pls.